Hello, I'm Luna, and I'd like to welcome you to "Kisses from Kairo,"* my blog about living and working as an American belly dancer in Cairo.
Life in Cairo isn't easy for dancers, foreigners, women, or even Egyptians. It is, however, always exciting. That’s why after living here for seven years, I've decided to share my experiences with the world. From being contracted at the Semiramis Hotel to almost being deported, not a day has gone by without something odd or magical happening. I will therefore fill these pages with bits of my history in Cairo—my experiences, successes, mistakes, and observations. Admittedly, my time here has been rather unique, so I want to stress that while everything I write is true, my experiences do not necessarily reflect the lives of other dancers.
In addition to my life as a belly dancer, I will write about developments in costuming, performances, festivals, and, of course, the dance itself. I will also make frequent references to Egyptian culture. I should note that I have a love/hate relationship with Egypt. If I make any criticisms about the country, please keep in mind that I do so with the utmost love, respect, and most of all, honesty. Egypt has become my home, so I want to avoid romanticizing and apologizing for social maladies, as most foreigners tend to do. Nothing could be more misguided, patronizing, or insulting.
I hope you find this blog informative, insightful and entertaining, and that we can make this as interactive as possible. That means I'd love to hear from you. Send me your comments, questions, complaints, suggestions, pics, doctoral dissertations, money, etc., and I will get back to you. Promise. :)~
Sunday, August 2, 2015
Monday, May 4, 2015
Back home, we have this notion that belly dance has a more accommodating aesthetic than other dances--that this art is for all sizes, shapes, colors and ages. And that may very well be the case, because, we insist on it being that way. And also because belly dance is not a mainstream form of entertainment there. The majority of high profile performances are unpaid and occur within the context of festivals, produced and attended by other dancers. It can therefore get away with having dancers whose bodies would be unsuited for traditional mainstream performing arts like ballet, hip-hop, music video, ballroom, etc. In the real world--and by that I mean the part of the world in which belly dance is a major pillar of mainstream entertainment--things are little bit different. OK, a lot different. In the Middle East, your numbers-- inches and years--are just as important as they are for a ballet dancer in the US. There is an ideal standard of beauty held by a good majority of the people, and any deviation from that is less marketable. Now we don't want to lump all the Arab countries together when it comes to this issue; the ideal aesthetic in Egypt is a bit different than what it is in Lebanon and in some Gulf countries. However within each of those countries, you'd be hard-pressed to find people who have an alternative vision of beauty.
That being said, fellow belly dancer and author Zaina Brown and I decided to share our experiences with body image, as we've both been working as professional dancers in the Arab world for years--Zaina in the UAE, Yemen, Bahrain, Tunisia, Algeria, Morocco, Egypt, Turkey, Mali, and India, and myself in Egypt. By the way, you can follow Zaina on her own blog, "Where's Zaina." And if that's not enough, you can purchase her book "Stories of a Travelling Belly Dancer" from Amazon. It's a great read that documents her experiences working as a dancer in the Middle East. Zaina also just produced a documentary called "Traveling Belly Dancer in India," which is currently screening in film festivals around the US. It will be available for public viewing by the end of 2015. In the meantime, Zaina is dancing in the New York / New Jersey area and is working on a new book about dancing in the Middle East.